| Artist Statement
 
 
  Vagaries in Mustard Seed Garden
 I once
                  walked through the Mustard Seed Garden.
 
 As a
                  city person, I live in the real world of everyday
                  life. Often I imagine myself traveling to a
                  wonderland, enjoying the scenic mountains, taking a
                  walk by the water, with birds as friends, and
                  listening to the sound of running stream. I hope to
                  forget about the travails of daily life in search of
                  some tranquil landscapes in my mind.
 
 The
                  Mustard Seed Garden Manual of Painting contained
                  almost all the common elements that appeared in
                  Chinese ink paintings, such as depictions of
                  mountains, running water, trees, plants, wind, clouds,
                  birds and flowers, as well as people. These elements
                  are essential whether the style are traditional or
                  current. Since there is no clear demarcation of eras,
                  the attention falls squarely on ideas, symbols and
                  imageries of the works.
 
 In the
                  realm of ink paintings, there are often birds in the
                  sky, sun hung over mountains, goldfish in the stream,
                  trees grown amongst rocks and stones, and flowers
                  sprouting on branches. The elements used are different
                  but together they produce smooth harmony.
 
 Every
                  item in our life seems existing independently and, in
                  fact, is closely connected to some others forming
                  relationships like you and me. When creating for this
                  series of paintings, for me, it was like traveling on
                  a magical journey over different periods of time. The
                  passage is rewarding though surreal. The experiences
                  and emotions of my daily life, be it bitter or sweet,
                  have subconsciously become integral parts of my works.
                  These vagaries assume a balancing effect on my works.
 
 Mix-use
                  of photographs with paintings and other materials have
                  achieved wonderful results. The imperfect nature of
                  raw plywood board has given my paintings the most
                  natural appearance. Its rough texture and the soft
                  quality of the Chinese painting brush together have
                  presented a hard and soft combination. With each
                  change of concept, different materials used would
                  start a new kind of communication among themselves.
                  Despite their differences, they always end up in a
                  fine integration.
 
 I once
                  have a walk through the Mustard Seed Garden.....
 
 Galen
                    Tse
 Hong Kong 2015
 
 
 
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