1928 Born in the Isle of Man
1948 Emigrated to Canada
2004 Passed away.
Born in Douglas, Isle of Man, England, the son of James and Florence (Lord) Onley. His father was an English actor. Toni attended St. Mary's primary school and Ingleby Secondary School, Isle of Man, then studied under a local landscape water colourist John Nicholson and at the Douglas School of Fine Arts (1942-46).
He came to Canada in 1948 and settled for a time at Brantford, Ontario. He took further study at the Doon School of Fine Art in 1951 under Carl Schaefer. In his early work Onley was influenced by British painters John Cotman and Peter DeWint and did traditional landscapes. He married Brantford art critic and amateur painter Mary Burrows in 1950 and they had two daughters Jennifer (b.1951) and Lynn (b.1954). He worked at a variety of jobs in order to support his family. Exhibiting in the Western Ontario Annual show of artists under 27 he won an award in 1955. He exhibited as well with the Royal Canadian Academy, The Canadian Society of Painters in Water Colours and his work attracted the attention of art critics.
Following the death of his wife
Mary, Onley moved with his children to Penticton, B.C.,
where his parents had retired. There he conducted
classes for children Saturday mornings and taught adults
nights at Penticton High School. He worked as a
surveyor, draftsman, commercial artist and continued
with his own painting when time permitted. In 1957 he
won a scholarship offered by the Institute Allende, San
Miguel de Allende, Mexico, where he took his two
daughters. During this period he studied mural painting
and fresco and vinylite mediums and was very much
influenced by his American (Yugoslavian born) teacher,
James Pinto whose abstract impressionistic paintings set
Onley on a new direction of non-objective work.
He stayed in Mexico three years
but returned to Canada to hold exhibitions at the Coste
House (Calgary, 1958), Vancouver Art Gallery (1958), New
Design Gallery, Van. (1959). By then he was
experimenting with collage paintings usually of
irregularly shaped pieces of painted paper or canvas
pasted to a backing or canvas. Three of his collages
were reproduced in Abraham Rogatnick's article on him
for Canadian Art (Mar./Apr. 1962). In his collage work
he did a Polar series numbered from one to beyond forty.
These works on large canvases in cool colours of blue,
black, grey, green, etc., drew favourable comments from
critics and his Polar #1 won the $2,000 Royal Canadian
Academy Zacks Award given to an artist at the society's
annual exhibition. With this award Onley studied in
London, England, while the award-winning painting was
presented to the Tate Gallery having been selected by
Sir John Rothenstein (Director of the Tate) as the
painting he would like to have for his gallery from the
1963 RCA showing. During this period he studied etching
and began to produce work in this medium as an extension
of his painting.
He had married Gloria Knight in 1961 and in 1967 their son James Anthony was born. In 1961 he completed a 300 sq. ft. mural for the Queen Elizabeth Playhouse in Vancouver and was also one of seven artists chosen to represent Canada at the Paris Biennial. In the years that followed he returned to objective basic shapes from nature giving full play to design with delicate colouring.
Although a prolific artist he has
been a careful craftsman whether working with paintings
large or small, or with serigraphs, etchings and
drawings. His silkscreen prints and drawings have
received high praise and his paintings, articulate,
simple, and subtle in colouring have been discussed by
most of the leading critics and historians of the day.
Flying has been a hobby which has
enabled him to travel to various centres to conduct
classes and a variety of other activities. Many of his
pencil sketches have been done from the air. Marguerite
Pinney made this note of them: "Lovingly executed, these
pencil drawings are sketched while piloting his plane
over the coast, mountains and valleys of B.C. Sure and
delicate, they are a delightful and vital addition to a
comprehensive and articulate exhibition." Joan Lowndes
also described his drawings as, "…fantastic little
pencil drawings, eight inches by six, that are the
jewels of the show. They are so even in quality they
might be compared to beautifully matched pearls. Onley
presents nature in an undisturbed prepollution era,
heavy with the stillness of primeval times. The lonely
rocks send their reflections into the lake."
Biography by Colin S. MacDonald © 1997
|Van. Art Gal., B.C.; Univ. B.C. (Brock Hall Coll.); Art Gal. Greater Vict.; Simon Fraser Univ., Burnaby, B.C.; Winnipeg Art Gal., Man.; Lond. Pub. Lib. & Art Museum, Ont.; Willistead Gal., Windsor, Ont.; York Univ., Tor.; Art Gal. Of Ont., Tor.; Agnes Etherington Art Centre, Queen's Univ., Kingst., Ont.; NGC, Ott.; Musée d'Art Contemp., Mtl.; Sir Geo. Williams Univ., Mtl.; Mtl. Museum of Fine Arts, P.Q.; C.I.L., Mtl.; Confederation Centre, Charlottetown, P.E.I.; Memorial Univ., St. John's Nfld.; Seattle Museum of Fine Arts, Wash.; the Library of Congress, Washington, D.C.; Museum of Modern Art, NYC; Tate Gal. Lond., Eng.; the Victoria and Albert Museum, London, England; And the private collections of Mr. & Mrs. Sam Zacks (Tor.); Mr. & Mrs. Percy Waxer (Tor.); Dr. Theodore Heinrich (Tor.); Joseph Hirshhorn (NYC); John David Eaton (Tor.); Paul Arthur (Tor.); J.G. McConnell (Mtl.) and many others. Member: A.R.C.A. (1964); B.C. Soc. Of Artists; C.S.P.W.C.; C.G.P.|
|Toni was made an Officer of the Order
of Canada, 1999.
Scholarship, Instituto Allende 1957; Canada Council Grant 1961,1963; Jessie Dow Award at Montreal Spring Show, 1960; one of seven artists to show at the Paris Biennial, 1961; Spring Purchase Award (MMFA), 1962; Canadian Biennials exhibitor 1959, 1961, 1963, 1965, 1968; Sam & Ayola Zacks Award, RCA Annual, 1963; Canada Coucil Senior Fellowship, 1964.
A Silent Thunder. Prentice-Hall,