News Releases -- HAPPINESSApril
16 2003 HAPPINESS Featuring
work by Rene Yung, Kumiko Yasukawa, Li Shuang, Yang Yi Art Beatus Gallery is pleased to present .Happiness・ opening April 17 and running through to June 6, 2003, featuring works by installation artist Rene Yung, photographic-based artist Kumiko Yasukawa, oil on canvas by Li Shuang and paintings on silk by Yang Yi. An artist discussion will commence at 5pm to be followed by an evening reception from 6pm to 8pm. What does Happiness mean to us? For some, .Happiness・ can be about freedom of life, having an identity of our own or being allowed to express our emotions without reservation. For others, .Happiness・ can be fleeting; a momentary feeling of exhiliration which leaves us desiring more. In our current exhibition, we hope to discover the meaning of .Happiness・ in the artworks of our four female artists, each with their own history and life experience. Born in Tokyo in 1975, Kumiko Yasukawa has lived and worked in Vancouver since 1993. Her process combines traditional and digital photographic techniques to arrive at an aesthetic that is both ancient and futuristic. Her most recent KUKI project follows her previous series MIZU, and is part of a continuing project that explores universal elements to find renderings of the invisible - in fact making the invisible visible. Li Shuang
grew up during the cultural revolution in China. Ten years of thought
control, austerity and forced revolutionary fervor followed, affecting
her painting; a clear demonstration of how artists working under the restraint
of an authoritarian government were expected to censor themselves. Combining
elements from rich Chinese painting traditions with a thoroughly modern
sensibility, Li・s works did not fit with the government approved artistic
mold of tractor-happy peasants basking in the glow of Mao・s wisdom. In
1981, Li was arrested and served a two-year sentence for re-education
in a prison outside of Beijing. Li currently lives and works in Paris. Installation artist Rene Yung was born in Hong Kong and currently lives and works in San Francisco. Most of her work focuses on being, memory and place. She works mostly in installation form because she likes the way it allows for discourse between categories and boundaries in a way similar to life experiences. She is interested in how meaning is imbedded in the structure of language and its ramification in the visual form of artwork. Deeply influenced by Western conceptual thinking, Yung・s recent works have been exploring a visual language aimed at a reframing and a revisioning of the operational aesthetics in diasporic art practices. She is interested in creating a visual vernacular characterized by the fluidity, simultaneity and complexity of global cultural contiguity.
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